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However, the smartest content creators are currently playing a different game. They are weaponizing this nostalgia to sneak in complexity. Barbie was a treatise on existentialism wrapped in pink plastic. The Last of Us used zombie tropes to discuss the fragility of love and parenthood. Succession used filthy rich people screaming at each other to explain the rot of American capitalism.

This is the paradox of the modern content landscape. We have more access to independent, bizarre, and challenging art than ever before—Brazilian psychedelic horror, experimental Polish animation, avant-garde Cambodian rap. It is all two clicks away. Yet, most of us will re-watch The Office for the seventeenth time. Vixen.16.08.17.Kylie.Page.Behind.Her.Back.XXX.1...

The Infinite Scroll: Why We Keep Coming Back to the Familiar However, the smartest content creators are currently playing

The future of entertainment isn't a choice between "high art" and "low art." It is the mashing of the two. It is the comfort food that hides your daily vitamins. The Last of Us used zombie tropes to

We tend to think of entertainment as an escape to somewhere new . But the data suggests we are actually looking for somewhere safe .

So, the question for creators isn't "How do I make something new?" The question is: