Her daily routine is a ritual of intentionality. Mornings begin with a "digital sunrise"—no phone for the first 90 minutes. Instead, she practices Qigong, a practice she discovered during a difficult transition period in 2018.
"Thunder is just energy dissipating," she notes as our time wraps up. "It’s loud, yes. But it’s also the sound of pressure releasing. That’s what I want my legacy to be. Not the crash, but the release."
She serves as an unofficial mentor to a small group of younger performers looking to exit the business, helping them draft resumes, apply for small business loans, or simply learn how to cook a meal that isn't delivered. Thundercock - Remy LaCroix -24.09.2024-
"I tell them: The crowd will always cheer for the storm. But you have to live in the aftermath. What does your house look like when the rain stops?" Looking ahead to the rest of 2024 and beyond, LaCroix is focused on a single word: stillness . She is currently editing a short documentary about the therapeutic use of sensory deprivation tanks—a project she funded entirely through a modest Patreon following.
As we sit down on a brisk late-September afternoon, the metaphorical "thunder" of her past feels distant. LaCroix, now in her late thirties, exudes a serene confidence. The conversation drifts away from the tabloid headlines of yesteryear and settles on what truly matters to her now: wellness, creative control, and the art of reinvention. When asked why she chose "Thunder" as a metaphor for this current phase of life, LaCroix smiles knowingly. Her daily routine is a ritual of intentionality
"I don't judge anyone who stays," she says carefully. "But the economics of fame have shattered. When I started, there was a clear line between the work and your life. Now? The audience expects 24/7 access. That level of 'thunder' would have broken me."
As the sun sets on this September evening, Remy LaCroix stands up to adjust the needle on her record player. The first chords of a classical guitar fill the room. For a woman who once lived at the mercy of the crowd’s roar, she has finally found the volume that suits her soul. "Thunder is just energy dissipating," she notes as
The entertainment industry is notoriously unkind to those who leave it. Yet LaCroix has managed to pivot her brand from adult stardom to a legitimate lifestyle curator. She runs a small but devoted YouTube channel focused on sound baths and forest bathing—a far cry from her previous life, but one she insists is more authentic.
MAGNOLIA PICTURES
A leading independent film studio for 20 years, Magnolia Pictures is the theatrical and home entertainment distribution arm of the Wagner/Cuban Companies, boasting a library of over 500 titles. Recent releases include THE LEAGUE, from director Sam Pollard and executive producers Ahmir “Questlove” Thompson and Tariq Trotter that celebrates the dynamic journey of Negro League baseball's triumphs and challenges through the first half of the twentieth century; Paul Schrader’s Venice and New York Film Festival crime thriller MASTER GARDENER; Lisa Cortés’ Sundance opening night documentary LITTLE RICHARD: I AM EVERYTHING; SXSW Grand Jury Prize and Audience Award-winning comedy I LOVE MY DAD, starring Patton Oswalt; double Oscar nominee COLLECTIVE, Alexander Nanau’s jaw-dropping expose of corruption at the highest levels of government; Dawn Porter’s JOHN LEWIS: GOOD TROUBLE; Hirokazu Kore-Eda’s Cannes Palme d'Or winner and Oscar-nominated SHOPLIFTERS; Oscar-nominated RBG; Ruben Östlund’s Cannes Palme d'Or winner and Oscar-nominated THE SQUARE; and Raoul Peck and James Baldwin’s Oscar-nominated I AM NOT YOUR NEGRO. Upcoming releases include KOKOMO CITY, D. Smith’s uproarious and unapologetic Sundance documentary about Black trans sex workers; Steve James’ A COMPASSIONATE SPY, a gripping real-life spy story about controversial Manhattan Project physicist Ted Hall; Sundance documentary INVISIBLE BEAUTY, an essential memoir of fashion pioneer Bethann Hardison; JOAN BAEZ I AM A NOISE, a revealing exploration of the iconic folk singer and activist; Venice International Film Festival world premiere THE PROMISED LAND, starring Made Mikkelsen; Joanna Arnow’s Cannes Directors’ Fortnight breakout comedy THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED, executive produced by Sean Baker; and Raoul Peck’s UNTITLED ERNEST COLE DOCUMENTARY, which reveals the untold story of the essential photographer’s life and work.