“Where shall we go?” cried Fruma, the baker’s wife.
The rabbi thought for a long moment. Then he smiled. “There is a blessing for arriving. But perhaps… a new blessing is born when an old door closes.”
Sholem was not a young man. His beard was a thicket of gray, his shoulders bent from hoisting milk cans, and his five daughters had long since married and scattered like seeds in a wind he didn’t control. Only his wife, Golde—sharp-tongued, soft-hearted Golde—remained beside him, complaining that the chickens laid too few eggs and that the Cossacks had ridden through the night before, drunk on rye and cruelty. fiddler on the roof -1971-
“Who are you?” Sholem asked.
The young man lowered the bow. “My name is Levi. Yussel was my grandfather. He taught me to play on this very roof. I came back to play for the wedding of Motel and Hodel. But I heard the news.” “Where shall we go
That evening, the village gathered in the synagogue. The rabbi, a wisp of a man with eyes like old coins, raised his hands. “We have been ordered to leave,” he said. “But we are not ordered to despair.”
The Fiddler’s Last Tune
A low moan rose from the women. Men clutched their prayer shawls. Sholem felt the earth tilt. He had milked his cow, Rivka, in that same barn for thirty years. His father had been born in the bed he still slept in. Tradition said a man plants trees for his grandchildren. But what if there is no ground left to plant in?