In 1.43:1, when Bane stands in the open hatch at 30,000 feet, you don't see a set. You see the curvature of the Earth behind him and the rivets on his coat in front of him. The vertigo was physical.
“It’s not lost,” he said, his voice a low rumble. “It was just waiting for someone to look up.” “It’s not lost,” he said, his voice a low rumble
In 1.43:1, the camera wasn't just pointed at the action. It was inside it. When the 18-wheeler lifted off the ground, the top of the frame caught the bridge cables snapping, and the bottom of the frame showed the asphalt shredding under the tires. The image didn't have borders. It had gravity . For ten seconds, the walls of the theater dissolved. The ceiling vanished. Elias wasn't in Kansas anymore; he was in the tunnel, smelling the diesel and ozone. When the 18-wheeler lifted off the ground, the
Maya turned to him. “They call it ‘the DONE’ online. The Dark Knight - The Dark Knight Rises IMAX 1.43:1. The complete experience. They think it’s lost.” For ten seconds