The first shots were on the dock. Jean-Luc wanted drama—the contrast of Chloe’s soft, monumental figure against the sharp, geometric lines of the wooden planks and the wild tangle of the mangroves. She leaned against a piling, one hand on her hip, looking out at the horizon. The low sun painted her skin in shades of amber and rose.
The next set was on a small sandbar fifty yards offshore. The water was only waist-deep, crystal clear. Chloe waded out, the green of her bikini disappearing into the turquoise. The crew followed in a small flat-bottomed boat. Jean-Luc lay on his stomach at the bow, his camera just inches above the water. Chloe Vevrier On Location Key Largo
And somewhere in the mangroves, a pelican squawked in reply. The first shots were on the dock
That night, the crew dined on stone crab and key lime pie at a tiny waterfront shack. Chloe wore a simple white blouse and cut-off shorts, her hair still damp and curling at the ends. No one recognized her. Or if they did, they were kind enough not to stare. She laughed with the lighting techs, shared a bottle of rum with the stylist, and watched the sun set over the Everglades in a blaze of orange and pink. The low sun painted her skin in shades of amber and rose