[Kath Bloom singing]
Later, on the tram.
[no dialogue]
In the cemetery of the nameless girls.
The words float past, and you realize the subtitle is the truest character. It has no body, no nationality (Viennese trams, American boy, French girl), no agenda. It simply presents . It does not judge Celine’s idealism or Jesse’s cynicism. It renders both as equal, luminous text. before sunrise subtitles
Isn't everything we do in life a way to be loved a little more?
On the Danube at dawn.
END.