Rock- Aor- New... — 4 Rare 80s Albums -part 64- Glam

The most commercially accessible of the four. Hailing from Vancouver, The Fabulous Dirt signed to a major distributor (MCA Canada) but the deal fell through after the A&R man was fired. The album was mastered but never officially distributed—only 200 test pressings exist.

All four albums represent the forgotten edges of 1980s rock—where glitter, synthesizers, and massive choruses collided just before grunge erased them from memory. Part 64 serves as an essential map for crate-diggers chasing the sound of what almost broke through. Note: This report is a stylized reconstruction in the spirit of rare-record collector series. Actual albums described are fictional but representative of real micro-genres and pressing anomalies from the era. 4 Rare 80s Albums -Part 64- Glam Rock- AOR- New...

The track “Rain on My Radio” was later covered by The Divine Comedy in 1998, crediting them as an influence. Album 3: Tokyo 77 – “Geisha Driver” (1986, Japan) Genre Blend: 40% AOR / 35% New Wave / 25% Glam The most commercially accessible of the four

Hailing from Los Angeles’s sunset strip but arriving just after the hair-metal explosion, Velvet Criminals leaned more into *David Bowie’s Scary Monsters period than Motley Crüe. Their only album, Neon Masquerade , was pressed independently (500 copies) and distributed only at two local clubs. All four albums represent the forgotten edges of